Publications

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Journal Papers

  1. Şentürk, S., Holzapfel, A., and Serra, X. (2014). Linking scores and audio recordings in makam music of Turkey. Journal of New Music Research, 43:34–52.
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  2. Chordia, P., and Şentürk, S. (2013). Joint recognition of raag and tonic in North Indian music. Computer Music Journal, 37(3):82–98.
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  3. Chordia, P., Sastry, A., and Şentürk, S. (2011). Predictive tabla modelling using variable-length Markov and hidden Markov models. Journal of New Music Research, 40(2):105–118.
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Conference and Workshop Papers

  1. Ganguli, K. K., Plachouras, C., Şentürk, S., Eisenberg, A., and Guedes, C. (2020) Mapping timbre space in regional music collections using HPSS decomposition. In Proceedings of 2nd International Conference on Timbre (Timbre 2020), (accepted for publication), Thessaloniki, Greece
  2. Ganguli, K. K., Şentürk, S., Eisenberg, A., and Guedes, C. (2020). Computational approaches to aid ethnographic research on Maqam melodies [abstract]. In Proceedings of st Symposium of the International Council for Traditional Music Study Group on Sound, Movement, and the Sciences (SoMoS 2020). Stockholm, Norway
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  3. Atlı, H. S., Şentürk, S., Bozkurt, B., and Serra, X. (2017). Synthesis of Turkish Makam Music Scores Using An Adaptive Tuning Approach.  In Proceedings of 7th International Workshop on Folk Music Analysis (FMA 2017). pages 66-71, Málaga, Spain
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  4. Şentürk, S., and Serra X. (2016). Composition identification in Ottoman-Turkish makam music using transposition-invariant partial audio-score alignment. In Proceedings of 13th Sound and Music Computing Conference (SMC 2016). pages 434-441, Hamburg, Germany
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  5. Şentürk, S., Koduri G. K., and Serra, X. (2016). A score-informed computational description of svaras using a statistical model. In Proceedings of 13th Sound and Music Computing Conference (SMC 2016). pages 427-433, Hamburg, Germany
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  6. Karakurt, A., Şentürk S., and Serra, X. (2016). MORTY: A toolbox for mode recognition and tonic identification. In Proceedings of 3rd International Digital Libraries for Musicology Workshop (DLfM 2016). pages 9-16, New York, NY, USA
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  7. Gulati, S., Serrà J., Ganguli K. K., Şentürk S., and Serra, X. (2016). Time-delayed melody surfaces for rāga recognition. In Proceedings of 17th International Society for Music Information Retrieval Conference (ISMIR 2016), pages 751-757, New York, NY, USA
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  8. Dzhambazov, G., Srinivasamurthy A., Şentürk S., and Serra, X. (2016). On the use of note onsets for improved lyrics-to-audio alignment in Turkish makam music. In Proceedings of 17th International Society for Music Information Retrieval Conference (ISMIR 2016), pages 716-722, New York, NY, USA
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  9. Şentürk S., and Serra, X. (2016). A method for structural analysis of Ottoman-Turkish makam music scores. In Proceedings of 6th International Workshop on Folk Music Analysis (FMA 2016), pages 39-46, Dublin, Ireland
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  10. Gulati, S., Serrà J., Ishwar V., Şentürk S., and Serra, X. (2016). Phrase-based rāga recognition using vector space modeling. In Proceedings of 41st IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2016), pages 66-70, Shanghai, China
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  11. Dzhambazov, G., Şentürk, S., and Serra, X. (2015). Searching lyrical phrases in a-capella Turkish makam recordings. In Proceedings of 16th International Society for Music Information Retrieval Conference (ISMIR 2015), pages 687–693, Málaga, Spain
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  12. Şentürk, S., Ferraro, A., Porter, A., and Serra, X. (2015). A tool for the analysis and discovery of Ottoman-Turkish makam music. In Extended Abstracts for the Late Breaking Demo Session of the 16th International Society for Music Information Retrieval Conference (ISMIR 2015), Málaga, Spain, 2015
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  13. Atıcı, M., Bozkurt, B., and Şentürk, S. (2015). A culture-specific analysis software for makam music traditions. In Proceedings of 5th International Workshop on Folk Music Analysis (FMA 2015), pages 88–96, Paris, France.
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  14. Atlı, H. S., Bozkurt, B., and Şentürk, S. (2015). A method for tonic frequency identification of Turkish makam music recordings. In Proceedings of 5th International Workshop on Folk Music Analysis (FMA 2015), pages 119–122, Paris, France.
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  15. Holzapfel, A., Şimşekli U., Şentürk S., and Cemgil A. T. (2015). Section-level modeling of musical audio for linking performances to scores in Turkish makam music. In Proceedings of 40th IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2015), pages 141–145, Brisbane, Australia.
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  16. Atlı, H. S., Uyar, B., Şentürk, S., Bozkurt, B., and Serra, X. (2014). Audio feature extraction for exploring Turkish makam music. In Proceedings of 3rd International Conference on Audio Technologies for Music and Media (ATMM 2014), pages 142–153, Ankara, Turkey.
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  17. Uyar, B., Atlı, H. S., Şentürk, S., Bozkurt, B., and Serra, X. (2014). A corpus for computational research of Turkish makam music. In Proceedings of 1st International Digital Libraries for Musicology Workshop (DLfM 2014), pages 57–63, London, United Kingdom.
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  18. Şentürk, S., Gulati, S., and Serra, X. (2014). Towards alignment of score and audio recordings of Ottoman-Turkish makam music. In Proceedings of 4th International Workshop on Folk Music Analysis (FMA 2014), pages 57–60, Istanbul, Turkey.
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  19. Dzhambazov, G., Şentürk, S., and Serra, X. (2014). Automatic lyrics-to-audio alignment in classical Turkish music. In Proceedings of 4th International Workshop on Folk Music Analysis (FMA 2014), pages 61–64, Istanbul, Turkey.
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  20. Şentürk, S., Gulati, S., and Serra, X. (2013). Score informed tonic identification for makam music of Turkey. In Proceedings of 14th International Society for Music Information Retrieval Conference (ISMIR 2013), pages 175–180, Curitiba, Brazil.
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  21. Şentürk, S., Lee, S. W., Sastry, A., Daruwalla, A., and Weinberg, G. (2012). Crossole: A gestural interface for composition, improvisation and performance using Kinect. In Proceedings of International Conference on New Interfaces for Musical Expression (NIME 2012), pages 449–502, Ann Arbor, MI, USA.
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  22. Şentürk, S., Holzapfel, A., and Serra, X. (2012). An approach for linking score and audio recordings in makam music of Turkey. In Proceedings of 2nd CompMusic Workshop, pages 95–106, Istanbul, Turkey.
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  23. Sordo, M., Koduri, G. K., Şentürk, S., Gulati, S., and Serra, X. (2012). A musically aware system for browsing and interacting with audio music collections. In Proceedings of 2nd CompMusic Workshop, pages 20–24, Istanbul, Turkey.
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  24. Şentürk, S., and Chordia, P. (2011). Modeling melodic improvisation in Turkish folk music using variable-length Markov models. In Proceedings of 12th International Society for Music Information Retrieval Conference (ISMIR 2011), pages 269–274, Miami, FL, USA.
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  25. Albin, A., Şentürk, S., Van Troyer, A., Blosser, B., Jan, O., and Weinberg, G. (2011). Beatscape, a mixed virtual-physical environment for musical ensembles. In Proceedings of International Conference on New Interfaces for Musical Expression (NIME 2011), pages 112–115, Oslo, Norway.
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  26. Kocyigit, F. B., and Senturk, S. (2008). Acoustics in the partial deaf student school music classrooms. In Proceedings of Acoustics’08 Paris Conference, pages 3919–3924, Paris, France.
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Theses

  1. Şentürk, S. (2016). Computational analysis of audio recordings and music scores for the description and discovery of Ottoman-Turkish makam music. PhD thesis, Universitat Pompeu Fabra, Barcelona, Spain.
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  2. Şentürk, S. (2011). Computational modeling of improvisation in Turkish folk music using variable-length Markov models. Master’s thesis, Georgia Institute of Technology, Atlanta, GA, USA.
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Publications in Turkish

  1. Şentürk, S. (2013). Sesin özgürleşmesi: Müzik prodüksiyonu teknolojileri. Birikim Dergisi, 285:98–104.
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Self Published

  1. Şentürk, S. (2011). Interactivity in contemporary dance and music. Self Published.
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